裝置組合A | Device combination A

愈想努力抓住回憶，它愈狡獪溜走；如同在我們腦海里最深處飄忽地若隱若現(xiàn)地游動(dòng)著一支閃光的水團(tuán)，苦于無(wú)法將它撈起和抓住。?

——茨威格?

The harder we try to grasp the memory, the more sly it slips away; like a gleaming water swam loomingly in the deepest part of our minds, we are unable to pick it up and grasp it.?

—— Stefan Zweig?

梵誓珠寶 | ONESWEAR

業(yè)主是一家立志成為珠寶界的嬉皮士的小眾先鋒珠寶設(shè)計(jì)品牌，奉行對(duì)珠寶和對(duì)傳統(tǒng)的反叛，希望打造非傳統(tǒng)的美學(xué)展陳空間。

The owner is a niche avant-garde jewelry design brand that aspires to become a hippie in the jewelry industry. It pursues a rebellion against jewelry and tradition, and hopes to create a non-traditional aesthetic exhibition space.?

秉承 “小眾即出眾“ 的設(shè)計(jì)理念，在空間和裝置設(shè)計(jì)上，設(shè)計(jì)師希望將品牌本身先鋒時(shí)尚的性質(zhì)和空間品質(zhì)相結(jié)合，將品牌強(qiáng)調(diào)創(chuàng)新、反叛傳統(tǒng)的個(gè)性注入傳統(tǒng)的商場(chǎng)中，創(chuàng)造出獨(dú)屬于品牌的自由的美學(xué)空間。?

Adhering to the design concept of "niche is outstanding", in space and installation design, the designer hopes to combine the brand's own avant-garde fashion nature and space quality, and inject the brand's personality that emphasizes innovation and rebellion against traditions into traditional shopping malls, creating Create a free aesthetic space unique to the brand.?

平面布局 | Plan

此次項(xiàng)目中的品牌店面選址于杭州，這座城市，在傳承歷史文化的同時(shí)，也在不斷的進(jìn)行現(xiàn)代化的建設(shè)和更新。

The brand store in this project is located in Hangzhou, a city that, while inheriting history and culture, is also constantly undergoing modernization and renewal.?

商場(chǎng)與西湖相伴，店鋪臨近主要室內(nèi)商街，正對(duì)地鐵站入口扶梯，交通便利，處于人流交匯處。設(shè)計(jì)旨在呈現(xiàn)視覺爆點(diǎn)，引發(fā)空間共鳴或是爭(zhēng)議。?

The shopping mall is accompanied by the West Lake, and the shop is close to the main indoor shopping street, facing the escalator at the entrance of the subway station, with convenient transportation and an intersection of people. The design aims to present visual bursts, sparking spatial resonance or controversy.?

當(dāng)代室內(nèi)空間設(shè)計(jì)不僅局限于傳統(tǒng)家具、墻頂?shù)氐纳罨晟?。隨著工業(yè)的成熟進(jìn)步，與人們對(duì)商業(yè)空間體驗(yàn)的認(rèn)知升級(jí)，不銹鋼藝術(shù)裝置、3D打印技術(shù)被更為廣泛的應(yīng)用在室內(nèi)設(shè)計(jì)中，以打破傳統(tǒng)珠寶行業(yè)單一乏味的固有模式，呈現(xiàn)更具個(gè)性化空間。

Contemporary interior space design is not limited to the deepening and perfecting of traditional furniture and wall tops. With the maturity and progress of industry and the upgrading of people’s cognition of commercial space experience, stainless steel art installations and 3D printing technology have been more widely used in interior design, in order to break the single and boring inherent mode of the traditional jewelry industry and present more Personalized space.?

新技術(shù)和新業(yè)態(tài)融合，跨界裝置設(shè)計(jì)，探尋新時(shí)代下的創(chuàng)新美陳空間。?

The integration of new technologies and new formats, cross-border device design, explores the innovative beauty space in the new era.?

空間軸測(cè)圖 | Axonometric drawing

裝置主題背景 | Device theme?

珠寶的意義，在于紀(jì)念和回憶。時(shí)間會(huì)將我們的記憶沖淡，讓我們迷失當(dāng)年的幸福，而珠寶就是那個(gè)承載著時(shí)間和回憶的容器，隨著時(shí)間的流逝，它依舊璀璨如初。

The meaning of jewelry lies in remembrance and memory. Time will dilute our memories and let us lose the happiness of the year. Jewelry is the container that carries time and memories. As time goes by, it remains as bright as ever.?

空間設(shè)計(jì)以時(shí)間暫停為主題，呈現(xiàn)了在海底世界，一系列生物為了使時(shí)間停止而做的舉措，它們?yōu)槭裁聪胱寱r(shí)間暫停？有什么東西遺落在了時(shí)間的長(zhǎng)河？?

With the theme of time pause, the space design presents a series of actions taken by creatures in order to stop time in the underwater world. Why do they want time to pause? What is left in the long river of time??

裝置組合B | Device combination B

設(shè)計(jì)中，吞噬時(shí)間的魚、時(shí)間沙漏和時(shí)光膠囊為304不銹鋼雕塑，憤怒機(jī)械人頭雕塑為玻璃纖維3D打印工藝。從傳統(tǒng)的不銹鋼造型工藝到玻璃纖維3D打印，到復(fù)合材料，該項(xiàng)目對(duì)不同工藝屬性及其組合方式進(jìn)行了探索。?

In the design, the fish, funnel and capsule are 304 stainless steel sculptures, and the human head sculptures are glass fiber 3D printing processes. From the traditional stainless steel molding process to glass fiber 3D printing, to composite materials, the project explored different process attributes and their combinations.?

互動(dòng)藝術(shù)裝置：時(shí)間沙漏 | Interactive Art Installation: TIME Hourglass

沉在海底的巨型沙漏是掌管時(shí)間機(jī)器的核心，它永不停滯的流動(dòng)，進(jìn)行著對(duì)時(shí)間的精打細(xì)算。

The giant hourglass sunk on the bottom of the sea is the core of the time machine. It never stops flowing, and is carefully calculating time.?

人們拿著據(jù)說(shuō)可以封住流沙的永恒寶石進(jìn)入沙漏中，將它放在沙漏的接口處，靜靜的等待著時(shí)間的停止，果然，時(shí)間停下來(lái)了，沙漏內(nèi)成為了永恒，但沙漏外的時(shí)間還在不停的推進(jìn)著；沙漏雕塑傾斜放置在整個(gè)裝置構(gòu)圖最中間的地方，是整個(gè)視覺的中心，為304不銹鋼材料，采用紅色質(zhì)感金屬涂料噴漆，底部嵌入地面碎石之中，仿佛從天而降的龐然大物沉在海底。?

People enter the hourglass with the eternal gem that is said to be able to seal the quicksand, put it at the interface of the hourglass, and quietly wait for the end of time. Sure enough, time has stopped. The inside of the hourglass becomes eternity, but the outside of the hourglass Time is still advancing; the hourglass sculpture is placed obliquely in the middle of the entire installation composition, which is the center of the entire vision. It is made of 304 stainless steel, painted with red metallic paint, and the bottom is embedded in the gravel on the ground, as if falling from the sky. The behemoth sank on the bottom of the sea.?

裝置組合C | Device combination C

互動(dòng)藝術(shù)裝置：吞噬 | Interactive Art Installation: Engulf

魚的記憶只有7秒，7秒的愛情，7秒的友情，7秒的親情，記憶的短暫讓它們瘋狂的想要制止時(shí)間的流逝，但它們無(wú)法拿起寶石，但強(qiáng)大的欲望迫使它們無(wú)情的吞下機(jī)器周圍的鐘表、齒輪，以及和時(shí)間有關(guān)的一切。

Fish’s memory is only 7 seconds, 7 seconds of love, 7 seconds of friendship, 7 seconds of affection. The short memory makes them want to stop the passage of time crazily, but they can’t pick up gems, but their strong desire forces them to be ruthless. He swallowed the clocks, gears, and everything related to time around the machine.?

由于它本身的體量巨大，雕塑魚在整個(gè)空間十分具有沖擊力，穿梭于神秘海底之中，魚的眼睛是望遠(yuǎn)鏡鏡頭的形象，增加了機(jī)械朋克的元素，魚肚為鋼筋箍成的鏤空輪廓，整體采用304不銹鋼雕塑造型工藝，呈現(xiàn)出一個(gè)充滿時(shí)尚感和未來(lái)感世界。?

Due to its huge volume, the sculptured fish is very impactful in the entire space. It travels through the mysterious seabed. The eyes of the fish are the image of a telescope lens, adding a mechanical punk element. The fish belly is a hollow outline made of steel hoop. The overall use of 304 stainless steel sculpture modeling technology presents a world full of fashion and futuristic sense.?

裝置組合D | Device combination D

互動(dòng)藝術(shù)裝置：憤怒機(jī)械 | Interactive Art Installation: Angry Machine

我們?cè)谌諒?fù)一日的工作，成為了工作的機(jī)器，沒有感情，沒有生活，如果時(shí)間可以停止，是否能有稍刻緩歇呢？

We work day after day and become working machines, without feelings and without life. If time can be stopped, can we take a short break??

人頭的藍(lán)色LED燈加強(qiáng)了它本身的機(jī)械感，身下的機(jī)械臂正在不停的勞作，永不停歇，機(jī)械臂與人頭之間是由人腿組成的轉(zhuǎn)動(dòng)齒輪。

The blue LED light on the human head enhances its own mechanical sense. The mechanical arm under the body is constantly working and never stopping. Between the mechanical arm and the human head is a rotating gear composed of human legs.?

將人體進(jìn)行解構(gòu)和重組，重新賦予它們不同的意義。

Deconstruct and reorganize the human body, and give them different meanings again.?

憤怒機(jī)械效果展示 | Angry Machine

時(shí)間膠囊 | Time capsule

機(jī)器四周搖曳著海草，海草間隱約可見一些雜亂散落在沙石上的時(shí)間膠囊，塵封了眾生最想留住的那一刻，打開膠囊，就可以重溫過(guò)去的幸福。

Seagrass swayed around the machine, and some time capsules scattered on the sand and rocks were faintly visible among the seagrass. The dust sealed the moment that all beings most wanted to keep. Open the capsule and you can relive the happiness of the past.?

當(dāng)然現(xiàn)在的人們也可以不吝嗇的將現(xiàn)在的故事留下，讓它成為未來(lái)的過(guò)去。

Of course, people now can not hesitate to leave the current story behind and let it become the past in the future.?

膠囊成為了時(shí)間暫停的隧道，也組成了無(wú)數(shù)個(gè)不同時(shí)間下的自己。?

The capsule has become a time-suspended tunnel, and it has also formed countless selves at different times.?

裝置組合E | Device combination E

空間入口 | Entrance

裝置與空間布局 | Installation and space layout?

室內(nèi)設(shè)計(jì)是同樣希望以裝置為核心去構(gòu)建場(chǎng)景，空間整體明亮簡(jiǎn)潔，采用白色肌理涂料墻面和白色水磨石地面，簡(jiǎn)潔化處理室內(nèi)空間，作為中間吸睛裝置的“背景板“；大裝置組合放在中間朝向入口的地方用于吸引人流，空間布局圍繞著裝置展開，串聯(lián)起一系列的展品，猶如海底探險(xiǎn)的奇妙旅程，來(lái)到異度空間去感受時(shí)間暫停的那一瞬；裝置底部鋪滿了沉積于海底的礁石，礁石灘中僅有一條一人寬的小道，順著小道探險(xiǎn)，可以穿梭于各裝置之間，讓流線變得更加靈活有趣。

The interior design also hopes to build the scene with the device as the core. The overall space is bright and concise. The white texture paint wall and white terrazzo floor are used to simplify the interior space and serve as the "background board" of the central eye-catching device; large installations are combined The place facing the entrance in the middle is used to attract the flow of people. The spatial layout is spread around the installation, connecting a series of exhibits in series, like a wonderful journey of underwater exploration, coming to a different space to feel the moment of time pause; the bottom of the installation is covered with The reefs deposited on the bottom of the sea, there is only a one-person-wide path in the reef beach. You can explore the path along the path, and you can shuttle between the devices, making the flow line more flexible and interesting.?

黑色石子上插滿了懸浮著的小燈泡，模仿海洋中海底的奇幻生物，星星點(diǎn)點(diǎn)的閃爍透著海底的神秘之感。?

The black stones are filled with suspended small light bulbs, imitating the fantasy creatures on the bottom of the ocean, and the stars are shining with the mysterious feeling of the bottom of the sea.?

接待臺(tái)與倉(cāng)儲(chǔ)空間的關(guān)系 | The relationship between reception desk and storage space

利用倉(cāng)儲(chǔ)空間和接待臺(tái)將空間中不規(guī)則的部分消除，中間的裝置和四周的展柜都能在一個(gè)干凈純粹的方形空間中去展示。

The storage space and reception desk are used to eliminate irregular parts of the space, and the devices in the middle and the surrounding showcases can be displayed in a clean and pure square space.?

設(shè)計(jì)師將原先店鋪剩余的展柜重新利用，相互錯(cuò)動(dòng)排列，高低起伏，和LOGO、電視屏一起進(jìn)行平面構(gòu)成設(shè)計(jì)，豐富墻面層次。?

The designer reused the remaining showcases in the original shop, arranged them staggeredly, with ups and downs. Together with the LOGO and the TV screen, they carried out a graphic composition design to enrich the wall level.?

裝置組合F | Device combination F

原先場(chǎng)地中的暴露的幾根結(jié)構(gòu)柱，分別采用不同的方法對(duì)其進(jìn)行消解：入口出的兩根結(jié)構(gòu)柱子，一根和深淵鏡、展墻結(jié)合，利用斜墻包裹結(jié)構(gòu)柱，同時(shí)，視線被創(chuàng)造出的斜墻面引導(dǎo)向室內(nèi)裝置；另外一根四面包裹LED廣告屏屏幕，和右側(cè)的曲面玻璃展示窗口結(jié)合成為入口的標(biāo)識(shí)，給觀者留下強(qiáng)烈的記憶；位于空間正中的結(jié)構(gòu)柱與裝置一起作為展品出現(xiàn)，鏡面的包裹使它能夠反射出另一個(gè)“空間”，仿佛海洋是一個(gè)無(wú)盡的深淵。?

The exposed structural columns in the original site were resolved by different methods: the two structural columns at the entrance and exit, one combined with the abyss mirror and the exhibition wall, the structural column was wrapped by the inclined wall, and at the same time, the line of sight was blocked. The created oblique wall leads to the indoor installation; another four-sided LED advertising screen, combined with the curved glass display window on the right, becomes the sign of the entrance, leaving a strong memory for the viewer; a structural column located in the middle of the space Appearing as an exhibit together with the installation, the mirror-surface package enables it to reflect another "space", as if the ocean is an endless abyss.

項(xiàng)目信息

Project Information

項(xiàng)目名稱：時(shí)間靜止·梵誓ONESWEAR杭州嘉里中心珠寶店

Project name: Time Pause · ONESWEAR Jewelry store in HangZhou Kerry Center

設(shè)計(jì)方：上海平介建筑設(shè)計(jì)事務(wù)所

Designer: Shanghai Parallect Architecture Design Studio

項(xiàng)目設(shè)計(jì)&完成年份：2021年7月

Project Design & Accomplish Date: 7/2021

設(shè)計(jì)團(tuán)隊(duì)：孫穎，黃迪，劉豐迪，肖明峰

Design Team: Ying Sun, Di Huang, Fengdi Liu, Mingfeng Xiao

項(xiàng)目地址：杭州嘉里中心

Project Address: HangZhou Kerry Center

合作方：蘇州再造設(shè)計(jì)，鮮榨無(wú)責(zé)藝術(shù)公司

Partners: Suzhou Re-design Studio, Freshly Squeeeed

建筑面積：234㎡

Building Area: 234㎡